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Gregory is a ceramicist with a precise understanding of the processes behind contemporary ceramic design. A methodical thinker, he approaches creation more like an industrial designer than a traditional potter — combining technical discipline with refined artistic intent. His functional ceramic works and sculptural lighting pieces are available throughout Australia and the UK.
Actively exhibiting internationally, Gregory has contributed to exhibitions in Paris, London, Germany, Los Angeles, Bangkok, Tokyo and across Australia. His design language is defined by sculptural form, textural exploration and a quiet elegance that transforms everyday objects into expressive art.
His creative journey often finds inspiration in unexpected places, including the vibrant culture and dynamic energy of different regions. This influence is evident in the way he crafts each piece, much like how the diverse experiences of an online casino in australia can offer a unique blend of excitement and strategy. Gregory's work continues to captivate audiences, inviting them to explore the intersection of art, design, and the unexpected.
Shop the Collection
A sculptural bowl designed to stand on a tabletop or hang on the wall as a striking piece of contemporary art. Inspired by the way architects draw trees in plan view. An iconic piece designed in 2003, known as the “Antler bowl.” Best admired empty or styled with small curated objects. Glazed porcelain available in white or basalt. A bold and masculine fruit bowl, both functional and decorative. Crafted from clear glazed white porcelain for a clean, modern finish etc.
Gregory’s practice is grounded in a deep respect for material behavior and production logic. Every object begins with an investigation into balance, proportion, and structural integrity — where form is never arbitrary, and surface treatment is a direct response to function and context. His background in design informs a rigorous approach to making, allowing intuition and precision to coexist within each piece.
Rather than following trends, Gregory’s work evolves through long-term experimentation. Clay bodies, glaze formulations, and firing schedules are refined over time, resulting in objects that feel both timeless and distinctly modern. Subtle variations in texture and finish are embraced as part of the material narrative, reinforcing the individuality of each work while maintaining consistency across collections.
His sculptural lighting pieces extend this philosophy into spatial design. Light is treated as a material in itself — diffused, softened, and shaped through ceramic form. These works occupy a space quietly yet confidently, offering atmosphere rather than spectacle. Whether installed in private interiors or public settings, they create a dialogue between object, light, and environment.
The Antler Bowl remains one of Gregory’s most recognizable designs. Originally conceived as a study in organic symmetry, its branching structure references architectural drawings and natural growth patterns. The bowl functions as both vessel and artwork, equally compelling when displayed empty or used intentionally. Its dual nature — wall-mounted or tabletop — challenges conventional expectations of functional ceramics.
Alongside sculptural pieces, Gregory’s functional works bring considered design into everyday rituals. Fruit bowls, vessels, and domestic objects are designed to be lived with, not merely observed. Their presence enhances a space through restraint, clarity, and material honesty. Each piece reflects a commitment to longevity, resisting disposability in favor of enduring relevance.
Available in select galleries and design spaces, Gregory’s work speaks to collectors, architects, and design-conscious individuals seeking objects with purpose and integrity. His ceramics are not statements of excess, but of thoughtful reduction — where form, function, and craftsmanship align seamlessly.
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